This article is about the American filmmaker. For the American publisher and writer, see Larry N.Jordan. Larry Jordan is an independen t filmmaker who has been working in the Bay Area in California since 1955, and making films since 1952. He has produced some 40 experimental and animation films, and three feature-length dramatic films. He is most widely known for his animated collage films. In 1970 he received a Guggenheim Fellowship to make Sacred Art of Tibet. His animation has shown by invitation at the Cannes Film Festival. Jordan is one of the founding directors of Canyon Cinema Cooperative. He has shown films and lectured throughout the country. He is presently chairman of the film department at the San Francisco Art Institute.
When i was a kid i remember them showing this every Halloween on wnew TV channel 5.i thought it was cool to see all the monsters together in one movie,it was made by Rankin bass,the same people who gave us Rudolph the red nosed reindeer(68)and doing the voice for baron Von Frankenstein was none other then the great Boris Karloff.who was also great at doing voice overs for kids movies like the Grinch that stole Christmas and the daydreamer a movie about Hans Christian Anderson.anyway Dr Frankenstein has a bog retirement party to name his successor to take his place as leader of the monsters.he has one nephew who is a mere...,human who he invites to the shindig.the monsters aren't very thrilled about that.heres the lineup; Frankensteins monster,his mate(voiced by Phyllis diller)Dracula,the werewolf,the mummy,the creature,the hunchback,Dr Jekyll and Mr Hyde,invisible man,and it (a king Kong lookalike)its a wild monster party with a singing group of skeletons modeled after the Beatles,well remember this is 1968.its a marvel of animation done way before any computer graphics were even thought of.this has always been an ageless personal favorite.even Tim Burton was inspired by mad monster party when he did nightmare before Christmas.10 out of 10 check it out,its a good Halloween party movie.
“Mouris’s film, YOU’RE NOT REAL PRETTY BUT YOU’RE MINE…, built upon the strongest elements of QUICK DREAM, and added a pop music soundtrack. Mouris says, “I shot another 100 foot roll on classmate Jerry Strawbridge’s home animation stand, and edited that into the best sequences from QUICK DREAM. The whole film was a tongue-in-cheek series of odd couples/couplings, which the title suggested. The FRANK FILM photo collage animation evolved here.” - Yale
An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014.
Theatrical Cartoon Studio Se-Ma-For Directed By Daniel Szczechura. Written By Daniel Szczechura. Awards: Grand Prize, Daniel Szczechura, Oberhausen International Short Film Festival, 1968. Originally Released in 1968 (Estimate). Originally Released Theatrically. Color Poland BCDB Rating: "Hobby" has not yet received enough votes to be rated.
19分钟的动画影片,哈扎诺夫斯基与作曲家施尼特凯合作的头一批成果。没有对白,全部靠画面和音乐来推动情节。 动画片的主题异常严肃大胆,艺术家的自由表达遭到禁止,然而冲破束缚的艺术家给了大众新的梦幻,并给了他们更广阔的视野。
小美人鱼爱上了人类王子,为了和王子结婚,小美人鱼找到了生活在海底的海女巫。海女巫答应给小美人一双人类的腿,但作为交换,小美人鱼必须交出她的舌头。不仅如此,如果小美人鱼最终没能够和王子结婚的话,那么她将死去变为泡沫。 即便条件是如此的苛刻,小美人鱼还是义无反顾的喝下了药水。当她抵达王宫时震惊的发现,王子即将迎娶一个人类女孩。王子误以为这个人类女孩在海难中救了他的命,可实际上救了王子的是小美人鱼。因为不能说话,所以小美人鱼无法澄清这一误会,就在黎明快要来临时,小美人鱼的姐姐们出现了,她们告诉小美人鱼,想要活下来只有一个方法,那就是杀了王子。
大风呼啸不止的寒冷冬夜,衣不蔽体的老奶奶正奋力赶路,突然,一个会发光的毛线球滚到她脚下,老奶奶将它捡起,可是因为毛线实在太少,又将它放下准备继续赶路。这时,毛线球变身成为一只毛线小羊,老奶奶惊喜地发现,这只小羊是取之不尽的宝库,她用它不仅编织出取暖用的衣物,还编织出温暖的房间和各种日常用品。 老奶奶生活条件的突变引起穷苦邻居的好奇,他们纷纷来到她的门前一窥究竟,老奶奶将小羊藏好,邀请他们进屋,并秘密地继续编织出各种高档用品。优美欢快的音乐声中,穷困的人们相拥起舞,老奶奶瞥见自己皱纹纵横的脸,想着编织出一张年轻的容颜,她不知道的是,躲在暗处的小羊此时已精疲力竭。 面向成年观众。本片基于Ovsey Driz的童话故事改编。
歌唱家来到练歌房准备练声,见里面矗立着一头巨大的怪兽,吓了一大跳,但他仍走到钢琴前坐下,开始弹奏起钢琴来,这时,怪兽发出不和谐的怪叫,歌唱家回头盯视,怪兽停止发声。 歌唱家以为可以好好地练习歌喉了,哪知他刚开口歌唱,怪兽就又发出更难让人忍受的怪声。无奈,歌唱家开始和怪兽抗争,但终苦苦哀求它手下留情。怪兽并不领情,相反一口将歌唱家吞噬。再张口发出动人的歌声时,怪兽满意地离开了练歌房。 面向成年观众。
Yuri Norstein为十月革命六十周年制作的短片。片中使用了革命时期(1910-1920)的俄罗斯和欧洲先锋派绘画。
宁静的一天,弗兰克造访久违谋面的老友约瑟夫。约瑟夫驾驶汽车,兴奋异常,滔滔不绝。未过多久,汽车停到约瑟夫家的附近。令弗兰克这个初来乍到客人感到惊奇的是,好友家的篱笆竟然是由一个个活生生的人组成的。他们有男有女、有老有少,看起来来自社会不同阶层。每个人都静默不语,仿佛没有生命一般,但是令人不易察觉的小动作仍旧提示着弗兰克他们都是活生生存在的人。如同生活在金字塔最顶端的约瑟夫,一门心思饲养他的纯种兔子,毫无顾虑斥责不够尽职的“篱笆”。 在这个诡异的地方待得越久,弗兰克心中的疑问便越来越多……
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Various objects are having a sunny outing together in the nature.
“动画的世纪·100部作品”的第32名。
The Sun and the Moon is stolen by a vicious creature. Can the humans get back, what they need for their life?
Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?
埃及女王克利奥帕特拉和凯撒大帝打赌,将在3个月内建造一座宏伟的宫殿。克利奥帕特拉把这项任务交给了建筑师爱狄费斯,并下令如果在规定时间内没能完成任务,他将被投进鳄鱼池。 在这么短的时间内建造一座宫殿根本就是不可能完成的任务,但有一个人可以帮助爱狄费斯,那就是魔法师凯塔福克斯。于是爱狄费斯来到高卢的村庄,请求魔法师的帮助。凯塔福克斯欣然前往,同他一起来的还有阿斯特里克斯和奥普利克斯。 在建筑工地,爱狄费斯给每个建筑工人喝下了他发明的神奇药水,工人们一下子力大无比,工程进展很快。这一切被爱狄费斯的死对头――建筑师阿尔提菲斯发现,他很想至爱狄费斯于死地,这样他就是全埃及最出色的建筑师了。于是阿尔提菲斯派手下摧毁了石料。为了不延误工期,凯塔福克斯决定去下游购买石料。 阿尔提菲斯收买海盗,想在石料运送途中给凯塔福克斯的船只以打击,但阿尔提菲斯太小看阿斯特里克斯和奥普利克斯了,海盗们被这两个高卢勇士追打得落慌而逃。但阿尔提菲斯仍不死心,派手下将凯塔福克斯三人引入金字塔,试图使他们被困其中。这一次阿尔提菲斯的如意算盘又落了空,因为没有什么可以挡住阿斯特里克斯和奥普利克斯。 恶毒的阿尔提菲斯制作了毒蛋糕并以高卢勇士的名义送给了女王,导致女王的品尝官中毒。女王将三个高卢人逮捕,但凯塔福克斯用药水救活了品尝官。女王非旦怪罪他们,反而对高卢人很感兴趣。 宫殿马上就要建成了,凯撒得知了这个消息,便派军队攻击想暗地摧毁,因为如果宫殿真的建成,他将成为这场赌局的输家,臣服于埃及女王克利奥帕特拉。但同时凯撒又很期待,那样的话他就可以和女王在里面幽会了。最终凯撒还是决定出兵,他要为自己挽回一些面子。 凯撒的军队异常强大,但对于高卢勇士来说,这些都算不了什么,打仗就像是在做游戏。可是凯撒的大炮却轰塌了宫殿的一些建筑,无奈下阿斯特里克斯只得带着自己的小狗冲出包围向克利奥帕特拉送信。女王亲临现场,阻止了凯撒的攻击。同时爱狄费斯得到了女王的奖赏,他成为了埃及最出色的建筑师。 精彩视点: 本片是一部法国出品的动画片,根据著名卡通《阿斯特里克斯和奥普利克斯》改编。这是法国最成功的长片漫画之一,有近50年的历史,讲述了法国人的祖先高卢人的故事。该漫画被译成77种语言,在1989年巴黎更是建造了“阿斯特里克斯乐园”,可见其在法国人心中的地位。 “高卢勇士”后被改编成电影,包括《埃及艳后的任务》、《勇士斗凯撒》等。影片由法国著名演员热拉尔·德帕迪约和克里斯蒂安·克拉维耶担任主演,曾创造极高票房。而本片则拍摄于1968年,色彩艳丽,编导想象力极为丰富且整部影片笑料百出,是一部经典的动画巨著。
Meek Peter Parker is bitten by a radioactive spider and acquires super-powers. He decides to use his new powers to get rich, but when tragedy strikes close to home, he learns a valuable lesson and vows to fight crime instead.
两个手控木偶为了现实世界的一只荷兰猪吵了起来,随后开始殴斗。几十年来,捷克导演Jan Svankmajer以他超现实的梦幻般的动画创作令世界着迷。Svankmajer的奇妙之处在于他通过物体的动作姿态、个性和对文化的深刻观察将普通的人和物奇异化。他的作品对无数导演来说是一个灯塔,处处给予艺术家以灵感,并且毫无疑问是在共产主义的捷克斯洛伐克的专制环境下浮现出的重要艺术品。尽管这些作品都是超现实主义的,但Svankmajer以电影为手段探索了社会习俗、社会阶层及其相互作用等问题。
人的一生,快乐总是非常有时,不过几个阶段,大部分的时间段,生活就像罐头一样被固定了模式。 细数快乐的阶段,人在做孩童时拥有幻梦是之一,然而孩童是不可能长久地停留在幻梦中的,家长的声音压迫着让他只能在学校和家之间两点一线往返。青年时期,恋爱是快乐的,但到了谈婚论嫁时,模式便会不请自来。孩子的诞生也是快乐的,但无趣的生活不会因此变得有趣,人往往会用婚外情妄图将这无趣填补,却往往为了孩子又过两点一线的生活。
In half a minute, a person who braked at a traffic light has time to look at the screen of a special roadside demonstration device-a movie comic-a “lightweight” version of the creation of the great classic Shakespeare based on the tragedy “Othello”. A parable about how modern civilization devalues world culture.